Released
January 2006
Available Format(s)
Cassette / CD
Read By
Campbell Scott
Publisher
Simon & Schuster Audio
Artist Clayton Riddell had been in Boston negotiating a successful deal to sell his comic book project. His joy at finally hitting it big is shattered by an event called The Pulse which causes all those who were using their cell phones at the time of The Pulse to become zombies attacking and killing anyone in their way. Fortunately for Clay, he does not own a cell phone. In the panic to get out of Boston and find his way home to his wife and son in Maine, he is joined by Tom McCourt, a man he meets in the meleé immediately following The Pulse and a young girl, Alice, who they rescue from being killed by one of the “crazies.” The story follows their terrifying journey, avoiding capture—and worse—by the “crazies” who are beginning to “flock” and are led by one they call Raggedy Man as they attempt to reach Maine and a place called Kashwak which they hope will be their salvation.
There's a reason cell rhymes with hell.
On October 1st, God is in his heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He's just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He's already picked up a gift for his long-suffering wife, and he knows just what he'll get for his boy Johnny. Why not a little treat for himself? Clay's feeling good about the future.
That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone's cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization's darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature. . .and then begins to evolve.
There are one hundred and ninety-three million cell phones in the United States alone. Who doesn't have one? Stephen King's utterly gripping, gory, and fascinating novel doesn't just ask the question "Can you hear me now?" It answers it with a vengeance.
